Grace’s end of term reflection

Author: Grace Brindle

As the pandemic shifts our education to an online platform, professors and librarians have had to rethink how to exhibit their research, classroom projects, and collections. How can you recreate the library in a virtual classroom where many of the students are in different parts of the country? How can students present their work to each other and to the public when in-person gatherings are a safety hazard?

The answer to most of these questions has been to create a website. As a Digital Humanities Associate, my primary work this term has been to build websites, using tools like Omeka, Scalar, and WordPress, to create ways for faculty and librarians to display their work in a pandemic-ravaged world.

At the beginning of the term, I worked with the Special Collections librarian to transfer images of rare books to a website for classes to peruse. Normally, the Special Collections department would welcome students into the library to walk around and look at the amazing collection of facsimiles and manuscripts, encouraging students to flip through the pages and get up close and personal with these rare texts. With the arrival of coronavirus, all this has changed.

As a substitute for an in-person showcase, I created an Omeka site that contained images of rare books for student. While they weren’t able to feel the vellum of the pages, students really enjoyed being able to see images of the texts produced during the period they were studying. Digitalizing these images and making them available online made the texts more accessible, even if we lost some of the materiality.

I think one of the (very) few positive things about the pandemic is how it has forced people to reimagine and innovate the way we do things. Carleton faculty and librarians have clearly shown themselves up to the challenge.

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Grace’s introduction

Author: Grace Brindle

Hi everyone! My name is Grace (she/hers) and I am a senior History major and Digital Arts & Humanities minor from New Jersey. I am thrilled to be returning for my third year as a Digital Humanities Associate and I look forward to further developing my DH skills.

Although I’m a History major, I’ve had an interest in technology for as long as I can remember. For me, the digital humanities is the perfect way to combine both of my passions and I love seeing how STEM can transform and aid humanities-based research. I’ve been able to apply my interests working on a variety of DH projects, including a video game on the Boston Massacre and a quantitative textual analysis of medieval English chronicles.

In my free time, I love reading, watching movies with my roommates, and playing video games. Asides from being a DHA, I am President of Carleton’s Ghost Club and work in the Off-Campus Studies Office.

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Mapping the Fifteenth-Century London Chronicles: Experimentation and Collaboration

Author: Grace Brindle

One of the projects I’ve been working on this year has been a textual analysis of the fifteenth-century London Chronicles for an English professor’s research. The professor hoped to identify and isolate place names in the text (such as London Bridge, Sussex, etc.) and make a map of all the data. This is where the Digital Humanities team came in: what software and digital tools could we use to extract this data and display it in an insight way?

The first tool we examined was Voyant, an online textual analysis tool that creates data visualizations. We uploaded a PDF of the London Chronicles to Voyant and played around with the website to see how it worked and determine whether it was effective.

A screenshot of the London Chronicles data visualization in Voyant

While Voyant was great for analyzing macro data sets and getting a holistic view of the text, it was rather ineffective for gathering specific iterations of place names and appeared no better than manual close reading for this purpose. One of the other problems we encountered were the variations in medieval spelling; for example, Voyant created a separate category for “London” and “Londan” even if they referred to the same place.

We then turned to a different tool to help map our place names: Edinburgh Geoparser. Geoparser created a wonderful map of the place names. However, it was unable to quantify the number of times a place name appears or arrange the place names in order of frequency. Thus, it was great for visualizing the places but not ideal for textual analysis.

The map of the London Chronicles created by Edinburgh Geoparser
The map of the London Chronicles created by Edinburgh Geoparser

Finally, after testing these different softwares, we stumbled upon a Gazetteer of Early Modern Europe which contained a list of place names, their spelling variants, and their location. We collaborated with a member of the Data Squad, a local Carleton organization dedicated to organizing data, to produce a program that would cross-reference The London Chronicles PDF with an XML of this data. In this manner, we would be able to get a reliable count of place names in the text that included their spelling variants.

The Early Modern London Gazetteer

This process has taught me that Digital Humanities is a lot of trial and error. In doing this research, I’ve learned there might not be one perfect tool for a project, but combining different resources and collaborating with others allowed me to find an innovative solution. This experimentation and sharing of ideas and research is vital to the work we do as Digital Humanities Associates.

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Ready for #RoundTwo!

Author: Grace Brindle

Training week has ended which means it’s time to really get started! I decided to summarize digital scholarship in the following meme, showcasing what I have learned this week:

After being abroad last term, I’m excited to see how our digital projects have evolved and what new projects may be coming our way!

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Grace’s Introduction

Author: Grace Brindle

Hi! I’m Grace, a junior history major from New Jersey, and this will be my second year working as a Digital Humanities Associate. I just returned from studying abroad in Italy where I managed a program blog and assisted with the Carleton Guide to Medieval Rome.

Although I’m a history major, I’ve always had an interest in technology and have some experience in computer science, haven taken courses at Carleton and worked in website creation since high school. For me, Digital Humanities is a way to combine both of these interests and I love seeing how STEM can transform and aid humanities-based research.

In my free time, I love reading, cross word puzzles, and listening to music. Asides from being a DHA, I work in the Off-Campus Studies Office and have a radio show on KRLX.

You can also see the introduction at Digital Humanities @Carleton College page.

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